Skip to main content Skip to local navigation
Home » Posts tagged 'AMPD' (Page 9)

AMPD

Concerto Competition Concert

Concerto Competition Concert

Professor Mark Chambers conducts the York University Symphony Orchestra in a concert featuring 2026 Concerto Competition winners. The concert will feature works by Gershwin, Sibelius, Fauré and more. 2026 Winners Yan Kiu Mok, Piano Gershwin, Piano Concerto in F Ted Hwang, violin Sibelius, Violin Concerto Arta Ghatrifi, cello Fauré, Elegy Thursday, February 12, 2026 7:30 […]

Sound and Sense: Jewish Music @York: Ayelet Rose Gottlieb & Dream Keepers

Sound and Sense: Jewish Music @York: Ayelet Rose Gottlieb & Dream Keepers

The Koschitzky Centre for Jewish Studies and the Department of Music in the School of the Arts, Media, Performance and Design are proud to present are proud to present are proud to present Jerusalem-born, Montreal-based vocalist Ayelet Rose Gottlieb and her quartet Dream Keepers in concert presenting music from their newly released album Dust. “Everything […]

Media Music Concert XIV

Media Music Concert XIV

The Media Music Club is excited to present its 14th annual concert, celebrating iconic music from a wide range of media, accompanied by a dynamic video display and stunning light show. This year’s program features a diverse selection of music from blockbuster films, popular video games, and international media. All arrangements and performances will be […]

Digital and Electronic Music I in Concert

Digital and Electronic Music I in Concert

The students of MUSI 1140: Digital and Electronic Music I present their final digital/electronic compositions, drawing on concepts and techniques including soundscapes, process music, spectral composition and sound synthesis. Date: December 5, 2025 Time: 2:00 p.m. (doors at 1:45 p.m.) Location: Centre for Fine Arts, Room 334 (Dispersion Lab) Free Admission

The Electro-Acoustic Orchestra

The Electro-Acoustic Orchestra

The students of DATT/MUSI 3070/4070/5070: Electro-Acoustic Orchestra perform via mixed acoustic/electronic instrumentation, weaving a diverse sonic tapestry. Our first piece works in conversation with a video game created by Gianluca Sabatini, followed by two pieces created using the group’s gestural composition/conducting language ESP (Electro-Acoustic Soundpainting). Date: December 2, 2025 Time: 4:00 p.m. (doors at 3:45pm) […]

Sound and Sense: Jewish Music @York: Socalled featuring Nizo Alimov

Sound and Sense: Jewish Music @York: Socalled featuring Nizo Alimov

The Koschitzky Centre for Jewish Studies and the Department of Music in the School of the Arts, Media, Performance and Design are proud to present are proud to present Socalled, AKA Josh Dolgin in a special concert featuring Katie Moore, Nizo Alimov and Marc Decho. This quartet, formed especially for this concert, will visit the […]

Music Mirrors Minds: Neuroaesthetics and Neuro-Music with Gene Coleman

Music Mirrors Minds: Neuroaesthetics and Neuro-Music with Gene Coleman

On December 3, composer and director Gene Coleman will give a talk on Neuroaesthetics and Neuro-Music, introducing his research-informed compositional methods and exploring how perception, cognition, and creativity intersect in this emerging field. Coleman’s work, which he describes as “Neuro-Music,” is shaped by insights from auditory neuroscience and examines how artistic practice and brain science […]

Classical Instrumental Recital

Classical Instrumental Recital

The Classical Instrumental Recital features student soloists in the classical performance program. Tuesday, November 18, 2025 12:30 PM Tribute Communities Recital Hall  Free Admission

Curating the Commons: Socially Engaged Public Art in the Global South

Curating the Commons: Socially Engaged Public Art in the Global South

Since the 2008–2009 financial crisis, the subsequent uprisings in the Global South and the Occupy movements around the globe, artists have increasingly turned to new models of artistic production. In her new book, Curating the Commons: Socially Engaged Public Art, Katia Arfara explores this shift through an in-depth study of performance-centered public projects she curated. […]