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Talk and Workshop: Suzanne Kite and Devin Ronneberg

Talk and Workshop: Suzanne Kite and Devin Ronneberg
Thursday, December 17th
View the event via YouTube Live HERE
Kite aka Suzanne Kite( is an Oglála Lakȟóta performance artist, visual artist, and composer raised in Southern California, with a BFA from CalArts in music composition, an MFA from Bard College’s Milton Avery Graduate School, and is a PhD candidate at Concordia University. Kite’s scholarship and practice investigate contemporary Lakota ontologies through research-creation, computational media, and performance. Recently, Kite has been developing a body interface for movement performances, carbon fibre sculptures, immersive video and sound installations, as well as co-running the experimental electronic imprint, Unheard Records. Kite has also published in several journals and magazines, including in The Journal of Design and Science (MIT Press), where the award winning article, “Making Kin with Machines,” co-authored with Jason Lewis, Noelani Arista, and Archer Pechawis, was featured. Currently, she is a 2019 Pierre Elliott Trudeau Foundation Scholar, a 2020 Tulsa Artist Fellow, and a 2020 Women at Sundance x Adobe Fellow.
Devin Ronneberg is a multidisciplinary artist of mixed Okinawan, Kanaka Maoli, and European heritage, works primarily in sound and sculpture. He received his BFA from California Institute of the Arts, Santa Clarita, California. Through sculpture, sound art, computational media, and design, his practice is currently concerned with emergent technologies and their unseen implications. He is an experimental aircraft designer with Berkut Engineering and co-runs the imprint Private Selection Records. He has recently exhibited at the Bemis Center for Contemporary Arts and received a Sundance Institute Nonfiction Storytelling grant through the John D. and Catherine T. MacArthur Foundation.
Presented as part of the online exhibition-:: Invisibility :: Complexity :: Resistance :: Intentionality ::-presented by Digital Media and the Department of Computational Arts at York University.
About This Exhibit
The year 2020 has seen the unfolding of a pandemic and a global response that is unprecedented in its scale and scope at any time in history. It has been a time of great loss, including the loss of life, the loss of financial and personal security, the loss of opportunity, and the loss of human connectivity. As artists, thinkers, and creative practitioners, this is an essential moment for us to engage the world and use our unique perspective to confront the urgent matters of our time. The computational approach to making provides us with a unique standpoint in this conversation where we bridge the domains of art, science, and technology to critically engage the world through a discourse on technology at its roots. By using code and signals as an expressive medium we can reimagine past, current, and future technologies, steering technological impact and influencing our mutual prosperity and collective futures.It is in this spirit that Digital Media and the Department of Computational Arts at York University presents our December 2020 Online exhibition: Invisibility :: Complexity :: Resistance :: Intentionality. As part of this exhibition, we will be hosting a series of events that include an exhibition launch, guest speakers, a workshop, and performances from students and faculty.
This event is part of theRegeneration: All Our Relationsseries organized through Sensorium: The Centre for Digital Art and Technology and is supported by the Indigeneity in Teaching and Learning Fund at York University


Dec 17 2020


4:00 pm - 6:00 pm
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